Skip to main content

GAMCHA - THE HUMBLE TOWEL COMES INTO ITS OWN


 PROJECT GAMCHA – Rangila Dhaga -

Gamcha – what? Just a towel, did you say that…well Project Gamcha by Dastkaari Haat Samiti made it that and beyond. Taking the humble gamcha or towel, they have created a collage, design scape of what can be done with these wondrous weaves. The handloom gamcha has found its place in the sun…actually – the sun, the moon and the stars.

The ordinary gamcha gets its moment under the sun. Taken out from the unsung ordinary to the extraordinary. It has been able to achieve two folds, one to document the various traditional handwoven towels made in the country and two provide a method using the same fabric for apparel, sarees and more.

Gamcha for the uninitiated is the towel that is commonly used everywhere. It is used at home by the family to dry oneself as a towel. However, it comes out on its own when it is used by men. Most men in villages have a towel or an anghavastra on them. It has a host of versatile uses..yes it is ideal to spread on the ground under the shade of the tree for a quick nap, it can be rolled into a bun and kept under the head as a pillow, it can be used to cover the face so that flies do not disturb a midsummer day nap, it is used to wipe the sweat, used as a bun to carry load, worn around the body…well the list can go on…The names commonly used for these are Gamchha, Gamucha, Gamla, The traditional length of the gamcha is 70 inch by 30 inch or so. The cotton is coarse but the fabric goes soft with repeated use. So commonplace that the gamcha is never considered a part of fabric or material.

Gamcha though is the name used in Bengal / Assam / Odisha. It is known by several names like Thundu in Tamil,   Thortu in Malayalam. The North East has its own repertoire of names. The motifs and colours can be used to identify the tribe the person belongs to. The North also uses this extensively.    

Under project Gamcha, many weavers have worked along with Dastkari Haat Samiti to incorporate the weaving into their apparel and fabric. So there are some gorgeous gamcha sarees with jamdani work on them, gamcha material, place mats, runners.. Gunjan has incorporated gamcha weaving with her trademark ikkat and more.  


Catch the exhibition till the 10th March 2025 at National Crafts Museum and Hastkala Academy. And for those keen to know about the fabric, weaves etc..Dastkaari Haat Samiti is the contact point.

Comments

Popular posts from this blog

Weavers Service Centre - Delhi

  One of my recent visits to the Weaver’s Service Centre in Delhi to get some information on Master Craftsmen awardees proved an eye opener to the vast potential and vast information source that the Weaver’s Service Centre opened under the aegis of the DC Handlooms is. Meant to be a centre to disseminate information, collect, collate propagate weaving, the base has been to develop a vast repertoire on the textile especially the handloom tradition of the country. There are 28 Weaver’s Service Centre established across the country. The country is broadly divided into four zones – North, South, East and West. There is one nodal WSC (headquarter) in each zone. Each zone has several WSC representative of the particular State which caters to the weaving centers in that geographical belt. The vastness of the weaving heritage in the country is such that there are weavers in every village assimilating a host of techniques. In the North East, weaving is done nearly in every home. Thus the Zo...

The Integrated Handloom Cluster Development Scheme helping the handloom clusters grow

The pride of place – India’s handloom Industry India's handloom industry has usually been associated with the image of craft, what is often forgotten is that it is the second largest provider of employment in the country after agriculture. Given this, there is a definitive thrust by the Government to augment the sector and give it support to shape up into a well defined industry. One such initiative has been the development of handloom clusters. The main purpose of developing these clusters has apart from the agenda of social development and keeping a skill heritage alive, the vast potential available in working with handlooms. The strength ranging from flexibility of production in small quantities, openness to innovation, low capital investment and the magical design combinations that are possible. Being one of its kind, the export potential is tremendous as also its usage in the domestic market. Of the various schemes launched including development of Mega Clusters as per the ...